
Houellebecq graduated as an agronomist
in 1980, got married and had a son; then he divorced, became depressed
and took up writing poetry. His first poems appeared in 1985 in the
magazine La Nouvelle Revue. Six years later, in 1991, he published a biography of the horror writer H P Lovecraft, a teenage passion, with the prophetic subtitle 'Against the World, Against Life'. Rester vivant:méthode (To Stay Alive)
appeared the same year, and was followed by his first collection of
poetry. Meanwhile he worked as a computer administrator in Paris,
including at the French National Assembly, before he became the so-called "pop star of the single generation", gaining fame with his début novel Extension du domaine de la lutte in 1994 (translated into English by Paul Hammond as Whatever).

In 2000, Houellebecq published the short fiction Lanzarote
(published in France with a volume of his photographs), in which he
develops a number of the themes he would explore in later novels,
including fringe religions and cult leaders. His subsequent novel, Plateforme
(2001), earned him a wider reputation. It is a romance told mostly in
the first-person by a 40 year-old male arts administrator, with many sex
scenes and an approving attitude towards prostitution and sex tourism. The novel's depiction of life and its explicit criticism of Islam, together with an interview its author gave to the magazine Lire, led to accusations against Houellebecq by several organisations, including France's Human Rights League, the Mecca-based World Islamic League and the mosques of Paris and Lyon.
Charges were brought to trial, but a panel of three judges, delivering
their verdict to a packed Paris courtroom, acquitted the author of
having provoked 'racial' hatred, ascribing Houellebecq's opinions to the
legitimate right of criticizing religions.

Houellebecq has also released a music CD Présence humaine, on Bertrand Burgalat's Tricatel label in 2000, on which he sings, or rather recites a selection of his poetry, over a rock band backing.
A recurrent theme in Houellebecq's novels is the intrusion of free-market economics into human relationships and sexuality. Whatever (Original title, Extension du domaine de la lutte,
which literally translates as "extension of the domain of the
struggle") alludes to economic competition extending into the search for
relationships. As the book says, a free market
has winners and losers, and the same applies to relationships in a
society that does not enforce monogamy. Westerners of both sexes already
seek exotic locations and climates by visiting developing countries in
organized trips. In Platform,
the logical conclusion is that they would respond positively to sex
tourism organized and sold in a corporate and professional fashion.
Although Houellebecq's work is oftentimes credited with building on conservative, if not reactionary, ideas, his critical depiction of the hippie movement, New Age ideology and the May 1968 generation, especially in Les Particules Elementaires, echoes the thesis of Marxist sociologist Michel Clouscard.

Extension du domaine de la lutte has been filmed by Philippe Harel and adapted as a play in Danish by Jens Albinus for the Royal Danish Theatre.
The English translation of his novel Platform was adapted as a play by the theatre company Carnal Acts for the Institute of Contemporary Arts (ICA) in London in December 2004. A Spanish adaptation of the novel by Calixto Bieito, performed by Companyia Teatre Romea, premiered at the 2006 Edinburgh International Festival.
Along with Loo Hui Phang, Houellebecq wrote the manuscript for the film Monde extérieur (2002) by David Rault and David Warren.
Les Particules Élémentaires has been made into a German film, Elementarteilchen, directed by Oskar Roehler, starring Moritz Bleibtreu and Franka Potente. The film premiered at the 2006 Berlinale.
The film La Possibilité d'une île directed by Houellebecq himself and based on the novel premiered in France on 10 September 2008.
American rock singer and "godfather of punk" Iggy Pop released in 2009 the rather quiet album Préliminaires, which he described as influenced by his reading of Michel Houellebecq's novel The Possibility of an Island. The author considered it a great honour, as he was himself deeply affected as a teenager by Iggy Pop's music with The Stooges.
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